内容摘要：Fox Sports had the first 12 races of the season, with eight being carried on FS1. Last year’s Coca-Cola 600 on Fox averaged 3.2 million viewers.

Fox Sports had the first 12 races of the season, with eight being carried on FS1. Last year’s Coca-Cola 600 on Fox averaged 3.2 million viewers.

Wait, mirror. Hold on a second. Maybe choosing from the likes of “Alice in Wonderland” (2010),(2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix?

Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (“Pete’s Dragon”? “Cinderella”?) they breathe life into old classics that could use a little updating. At their worst, well,Given the rapacious rate of remakes in modern Hollywood, it’s remarkable that it’s taken nearly 90 years for Disney to return to “Snow White.” It means going back to the very foundation of the Mouse House. The 1937 “Snow White and the Seven Dwarfs” was Disney’s first animated feature; its grosses paid for the studio’s Burbank lot.That legacy of “Snow White,” by comparison, doesn’t do any favors to Marc Webb’s inevitably lesser, inert live-action retread. Good intentions, like swirling bluebirds, flutter through this “Snow White”: to give its singing protagonist (

) more agency; to expand that notion of “fair” beyond skin tone; to reframe that problematic prince. But all that updating adds up to a mishmash of a fable, caught in between now and once upon a time.It wouldn’t be an earthshattering observation to note that a 1930s cartoon, let alone a 19th century German folk tale, might not be entirely in line with contemporary culture. Most of these Disney live-action remakes have carried with them more than a few notes of correction and atonement for the past — a laudable goal that means a generation of kids might not need a brief history lesson to go along with an old classic.

But it’s a tricky thing reworking a fable that’s been around two centuries, and that’s doubly true when leaping from the two-dimensional fantasy realm of animation to the more complicated land of flesh and bone. Webb’s “Snow White” has been a veritable case study for the headaches that can arise when a window into the real world is cracked open. Everything from Israel’s war in Gaza (Zegler and her co-star Gal Gadot, who plays the wicked stepmother, have differing opinions), the humanity of little people (there’s a reason “and the Seven Dwarfs” has been stripped from the title) and the alleged “woke”-ness of the production have been fuel for what we can gently refer to as online debate.

Despite some gloriously lush production design, “Snow White” — innocent of most of those backlashes though not all — can’t quite thread the needle. Even the new songs (by Benj Pasek and Justin Paul) that are good (“Waiting on a Wish”) struggle to fit in alongside old standbys. Zegler does a spirited job remaking a classic Disney princess into a more modern woman; when she sings, the movie gets a lift. The last thing that’s wrong with this “Snow White” is Zegler’s casting.El jueves, altos funcionarios iraníes rechazaron las especulaciones sobre un inminente acuerdo nuclear con Estados Unidos, e hicieron hincapié en que cualquier pacto debe levantar por completo las sanciones y permitir que el programa nuclear del país continúe.

Las declaraciones se produjeron un día después de que Trump afirmase que le pidió a Netanyahu que se abstuviera de atacar a la República Islámica para dar más tiempo a la Casa Blanca a para presionar para un nuevo acuerdo nuclear con Teherán.Trump manifestó el viernes que todavía cree que se podría cerrar un pacto en un “futuro no muy lejano”.

Los periodistas de The Associated Press Nasser Karimi en Teherán y Melanie Lidman en Dubái , Emiratos Árabes Unidos, contribuyeron a este despacho.The Associated Press recibe apoyo para la cobertura de seguridad nuclear de la Carnegie Corporation de Nueva York y Outrider Foundation. La AP es la única responsable del contenido.